links
about this journal
It's not the principles that kill you in the end, it's the books. - Michael Swanwick, The Iron Dragon's Daughter

What we cannot speak about we must pass over in silence. - Wittgenstein

Never express yourself more clearly than you think. - Niels Bohr

A labyrinthian man never looks for the truth, but only for his Ariadne. - Nietzsche

What else do you do with dark and sinister forces but play with them? - Deadlock, Khronicles of Khaos

There are three things that are real: God, human folly, and laughter. Since the first two pass our comprehension, we must do what we can with the third. - Valmiki, the Ramayana

If you want to tell the untold stories, if you want to give voice to the voiceless, you've got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language and you're dumb and blind. - Salman Rushdie

Even the oldest stories are new to somebody. - Neil Gaiman, The Kindly Ones

Perhaps Kafka laughed when he told stories... because one isn't always equal to oneself. - Primo Levi

When you set out for Ithaca, ask that your way be long. - Constantine Cavafy

"You can't do that", she said. "You can't have 'fairy tales' without 'fair'! And stuff you find out by determining what words are inside other words is never wrong. Now drink more tea." - Hitherby Dragons
page summary
tags
razor edges
reflections, predictable transformations, and barrier properties
mirrorshard
We've got an old FoxBase 3 database, and no way of getting it into something readable by modern software and simultaneously preserving the formatting. It's the catalogue for the images in the Kean Collection (from my previous post).

Do any of you, perchance, have or know of someone/somewhere that has the ability to do this?

Tags:

mirrorshard
Antony Sher in a play by Jean Paul Sartre, adapted from the original by Alexandre Dumas, directed by Adrian Noble, as Edmund Kean. This is love.

For those of you not familiar with Kean, he was one of the first of the great Regency actors, and the first to play Shylock straight rather than as a comic buffoon in a red wig and a huge hooked putty nose. His mainstay role was Richard III, such a lovely meaty tragic storming evil role for him.

Hazlitt and Fanny Kemble were great fans, and Coleridge said that to see Kean act was 'like reading Shakespeare by flashes of lightning'. His performance as Sir Giles Overreach in Massinger's A New Way to Pay Old Debts (1816 - annoyingly, not on Gutenberg. Wikipedia) sent Lord Byron into convulsions.

He was also incredibly insecure, a drunkard and a womanizer - the play works on this a lot, though I have to say I didn't find the drunkenness more than very lightly touched on.

Kean was one of my late godfather Philip Ormond's obsessions - he'd gathered an amazingly huge collection of Kean memorabilia, including a lock of his hair, and done a great deal of research. We're looking into digitizing it, but that's going to be horribly expensive. Let's hope there are grants available.

Tags: ,